![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWtQjTB7NlXDKyFlj_EjxI8goDJ-xu2AnK6D-fL3mS-brioDvoSi-9bSdGc8hxQ4mL8t9EiJu72W0SAHWcC6hG6Qavp6tTGvp-YKe32Q4ZITdgf8SGbj7Vlqt7n5uFKFAYAx0vGbko-So/s1600/remmie1.jpg) |
Alice Cook, After Rembrandt, 2014 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEEdZODVgFXRC96qYavv-vwOjFgOMRZbH9qbICmB-4QV_geW12LGbZA8UHDQXyHpsINH_GjvlUK_7sUeJgCyq0M4Dl_GwtbZegzG758CAAbjI1Gl1nelPUtoKpC9QVgIlG1AoFJEZWDaw/s1600/remmie2.jpg) |
Alice Cook,
After Rembrandt #4 |
I recently did some drypoint printmaking of a self-portrait done by Rembrandt. He etched the picture into a copper plate using acid. Since I do not have the facilities to work with acid in my studio, I decided to do the picture in drypoint. Drypoint is done using a sharp needle, the image is scratched into a copper plate using the needle. When this is completed the plate in inked, wiped and sent through my small printing press. I did a total of five prints of the plate (see picture). The first print was light due to the fact that it was wiped too much and I didn't have enough pressure on it with the press. With the following four prints, I increased the pressure and was not as vigorous with the wiping off of the ink from the plate. Number four and five are my favorite, for I carefully chose how I wanted to wipe the ink off, leaving more ink on the plate. The close up picture is of print number four. Enjoy!
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